#PRISON BREAK SEASON 1 STREAMING TV#
Which brings me back to why TV (or Fox, at least) is so interested in reboots and sequels. Another result is that more and more shows with marginal ratings are being renewed, in hopes they’ll make their money back further down the line. As I wrote here, one result is that networks are largely programming shows made by their partner studios, to make it easier and more lucrative to bring in streaming revenue. The more this attitude takes hold, and the more that studios realize how valuable their library of titles has become, the more the television industry changes. It might not be new, but it’s new to you. If you’ve never seen The X-Files, but you’ve heard about it, then watching all of it on Netflix is a pretty good way to get caught up. In fact, it’s particularly true of older shows in studios’ asset libraries, which have enjoyed an uptick in value as the studios open up their archives and sell off the streaming rights. And so long as there’s a constant stream of people like you, then Pitch becomes a good long-term asset, because streaming services will have to keep paying to renew the rights to air it.īut this detail doesn’t just apply to new shows.
#PRISON BREAK SEASON 1 STREAMING SERIES#
If you hear a lot of good things about, say, Fox’s upcoming baseball drama Pitch, you might file it away on your list of series to check out on Netflix or Hulu someday. Yes, network heads will often talk about how a show’s initial broadcast is now essentially an advertisement for its long-term prospects on various streaming platforms.
It was an unusually candid admission, because it indirectly revealed why TV (or Fox, at least) is so interested in making reboots and sequels right now. FoxĪt Fox’s executive session at the 2016 Television Critics Association summer press tour, Dana Walden, the network’s co-president, said that one of the reasons the network decided to bring back Prison Break was that Netflix indicated it was seeing strong streaming numbers for the show, which originally ran from 2005 to 2009. The X-Files returned with massive ratings in early 2016. Why are there so many reboots? Look to streaming services. Indeed, their longer-term prospects have a lot of bearing on why it’s increasingly hard to get a TV show made that’s not somehow based on or connected to some other established property. However, there’s more at stake with these reboots than just easy ratings wins and short-term gratification. Prison Break, which was never as successful as the other two series, seems like more of a stretch to bring back, but if it can draw in only half as many viewers as it did during its first run, it will still be a major player in a greatly diminished TV environment. Thanks to name recognition and fan nostalgia, half the work was already done to get viewers in the door. Even after over a decade off the air, X-Files was a massive smash, second only to Empire as Fox’s top scripted hit, and while 24 didn’t reach the same heights in its return, it was a solid performer.
The obvious reason these reboots exist is that they draw good ratings. And in early 2017, it will bring back Prison Break.
Earlier this year, it revived The X-Files with a six-episode miniseries. In 2014, Fox resurrected 24 as a 12-episode event.
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